During the days of our forefathers, the Ibans, or the ‘Sea Dayaks’ are known to be the most fearsome and ferocious headhunters in Borneo. I am one of the descendants of the headhunters and my family still keeps the skulls of the enemies as a memento of the olden ways. Although the Ibans do not practice headhunting anymore, the legend lives on in the traditional dance, ‘ngajat’.

Ngajat was performed by the warriors after their return from successful battles. The males would dance in a very aggressive manner and depict scenes from the battle. The warriors may even bring along the beheaded enemies. On the other hand, the women dance with soft and graceful movements, with precise body turns.
From my observation, the ngajat dance is such a famous traditional dance among Malaysians that they often perform it during cultural shows or events to welcome important guests. The concept of borderless world had invaded this dance and other tribal dances. Various dances are integrated into a whole new dance that makes some people, especially the elderly; feel that the dance has lost its meaning. Even the costumes are now altered differently to catch up with the demands of the new world.
I am a product of a mix marriage. I count myself lucky as I am exposed to 2 different cultures since young. However, the one thing that I regret not learning is this beautiful dance. I know that I am missing out something so big and important. Even my dad who is not an Iban knows how to ngajat. In a way, I think that it is quite embarrassing not to know how to dance my own cultural dance. Once, for a competition during TESL Camp, I was ‘selected’ to dance a somewhat altered version of ngajat. I failed miserably at learning how to dance. Besides, I did not feel that it was right to dance without the traditional costume. I know how important it is to preserve this dance. Because of its unique moves, I do not think that this dance will die away with time. But, sad to say that there are too many amendments made to the dance and the costume that make both not as significant as they used to be.
Support our local dance! Support originality! Say no to dance piracy!
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